Films · Tag

models

32 films tagged with “models

Tenet
film · 2020

Tenet

Christopher Nolan

Most espionage films ask their protagonist to acquire information. Tenet asks its protagonist to operate without it. The Protagonist — unnamed, because naming would imply a stable identity that the film's structure works…

complexitymodelsdecisions
Blade Runner 2049
film · 2017

Blade Runner 2049

Denis Villeneuve

The question the first film asked was whether a manufactured being could be conscious. The question this film asks is whether a manufactured being can reproduce, and the difference between those two questions is the diff…

automationmodelsemergence
The Big Short
film · 2015

The Big Short

Adam McKay

The film's opening gambit is also its thesis. It puts a quotation on the screen — it ain't what you don't know that gets you into trouble, it's what you know for sure that just ain't so — and then spends two hours demons…

modelsrisksystems-failure
Ex Machina
film · 2014

Ex Machina

Alex Garland

The Turing test, as it is actually deployed in Ex Machina, does not test the machine. It tests the man administering it. Caleb has been brought in to determine whether Ava possesses genuine consciousness, and the whole a…

artificial-intelligenceturing-testmodels
Interstellar
film · 2014

Interstellar

Christopher Nolan

Professor Brand's lie is the centre of the film, and it is worth taking apart because it is not a simple deception. Brand has spent decades working on an equation that would allow humanity to manipulate gravity well enou…

complexitydecisionsmodels
The Imitation Game
film · 2014

The Imitation Game

Morten Tyldum

The machine works on a Tuesday, and by Wednesday the problem has changed completely. For months the Bletchley team has been consumed by a single question: can they build a device that tests Enigma configurations fast eno…

computersknowledgeorganisations
Margin Call
film · 2011

Margin Call

J.C. Chandor

The model worked. That is the film's first and most unsettling point, and it is easy to miss because every popular account of 2008 wants the models to have been wrong. The risk models at the bank were not badly built. Th…

riskmodelsdecisions
Moneyball
film · 2011

Moneyball

Bennett Miller

Moneyball begins with a constraint rather than an insight, and that ordering is the whole reason the film is useful. Beane's description of his position — rich teams, poor teams, fifty feet of crap, and then Oakland — is…

modelsproxy-metricsevidence
Inside Job
documentary · 2010

Inside Job

Charles Ferguson

Ferguson trained as a mathematician and ran a software company before he made films, and Inside Job is built the way a systems engineer would build it: not as a story about greed but as a trace through a pipeline, follow…

systems-failureaccountabilityfinance
Moon
film · 2009

Moon

Duncan Jones

Moon is an employment story. It is set on the far side of the Moon, it involves cloning and corporate conspiracy and a robot named GERTY who communicates partly through emoticons, but the structure underneath all of that…

automationworkreplacement
Synecdoche, New York
film · 2008

Synecdoche, New York

Charlie Kaufman

Caden Cotard receives a MacArthur grant and uses it to build the most ambitious theatrical production anyone has ever attempted: a life-size reproduction of New York City inside a warehouse in Manhattan, populated by act…

complexitymodelscraft
Zodiac
film · 2007

Zodiac

David Fincher

The film is structured as an investigation that refuses to converge, and the structure is the argument. Fincher begins with the murders — sudden, arbitrary, filmed with a flatness that drains them of the dramatic tension…

evidencemodelsdecisions
Paprika
film · 2006

Paprika

Satoshi Kon

The parade is the image that stays. A procession of refrigerators, Shinto gates, tin dolls, daruma figures, brass bands, and household gods marches through Tokyo with the formal logic of a religious festival, and the str…

technologyemergencecomplexity
The Fog of War
documentary · 2003

The Fog of War

Errol Morris

Robert McNamara was the first modern data-driven executive, and The Fog of War is the closest thing we have to a full accounting of what that identity costs. At Ford he was one of the whiz kids, the group of Air Force st…

rationalitydecisionsmodels
Minority Report
film · 2002

Minority Report

Steven Spielberg

The system works. This is established early, stated often, and never contradicted by the evidence within the film's own logic. The precogs see murders before they happen, and Pre-Crime intervenes, and for six years no on…

modelsautomationdecisions
A Beautiful Mind
film · 2001

A Beautiful Mind

Ron Howard

The Nash equilibrium describes a state in a game where no player can improve their outcome by changing strategy alone, given the strategies of all other players. It is one of the most important ideas in twentieth-century…

modelsdecisionscomplexity
eXistenZ
film · 1999

eXistenZ

David Cronenberg

Cronenberg's speculative technology is not digital but biological. The game pods in eXistenZ are grown from synthetic amphibian eggs, they connect to the player's spinal cord through an umbilical cord plugged into a surg…

modelscomplexityemergence
The Iron Giant
film · 1999

The Iron Giant

Brad Bird

The Iron Giant does not know what it is. This is the film's first and most important structural choice: the robot arrives damaged, its memory erased, its purpose unavailable to itself. It does not know where it came from…

automationdecisionsmodels
The Matrix
film · 1999

The Matrix

Lana Wachowski & Lilly Wachowski

The most useful thing about The Matrix is that the Matrix is not a villain. It is an optimisation. It runs correctly, it runs at scale, it delivers exactly what its operators need — a stable supply of power drawn from bo…

simulationrealitysystems
Dark City
film · 1998

Dark City

Alex Proyas

Every night at midnight the city stops. The people fall asleep where they stand — in the street, on a staircase, in the middle of a sentence — and a group of pale figures in long coats emerge to rebuild. They rearrange t…

controlmodelsemergence
Pi
film · 1998

Pi

Darren Aronofsky

Max Cohen restates his assumptions at the beginning of the film: mathematics is the language of nature; everything around us can be represented and understood through numbers; if you graph the numbers of any system, patt…

modelscomplexityrationality
Contact
film · 1997

Contact

Robert Zemeckis

The signal from Vega arrives as prime numbers, and the film is precise about why this matters. Primes are the one pattern that natural processes do not produce — no star, no pulsar, no geological formation generates a se…

communicationfaithrationality
Gattaca
film · 1997

Gattaca

Andrew Niccol

Gattaca is the clearest film ever made about what happens when a proxy metric becomes the thing itself. The genome was meant to predict outcomes; by the time the film opens it has stopped predicting anything, because it…

proxy-metricsmodelsclassification
Wag the Dog
film · 1997

Wag the Dog

Barry Levinson

Two weeks before a presidential election, a fixer named Conrad Brean is brought in to manage a crisis: the President has been caught in a sexual indiscretion, and the story is about to break. Brean's solution is not to d…

mediaorganisationsdecisions
Ghost in the Shell
film · 1995

Ghost in the Shell

Mamoru Oshii

The question the film poses is not whether an artificial mind can be conscious. It is whether a human mind, having replaced enough of itself, still is. Major Kusanagi's body is entirely prosthetic — manufactured, maintai…

automationemergencemodels
Twelve Monkeys
film · 1995

Twelve Monkeys

Terry Gilliam

The scientists in 2035 send James Cole to 1996 and he arrives in 1990. They try again and he arrives in the trenches of the First World War. They pull him back, recalibrate, and send him to the correct year, where he ide…

complexitymodelsdecisions
WarGames
film · 1983

WarGames

John Badham

The break-in that starts the catastrophe is not a break-in. David is looking for an unreleased video game, finds an undocumented dial-up number, and is greeted by a prompt: shall we play a game? — followed by a menu that…

automationsystems-failuredecisions
Close Encounters of the Third Kind
film · 1977

Close Encounters of the Third Kind

Steven Spielberg

Roy Neary is driving a power company truck down an Indiana road when something comes over the hill and lights him up. He does not know what it is. What he knows, afterwards, is that he has received a signal, and the sign…

communicationmodelsemergence
The Parallax View
film · 1974

The Parallax View

Alan J. Pakula

Pakula's conspiracy trilogy — Klute, The Parallax View, All the President's Men — moves from a crime with a single victim to a crime against the republic, and the middle film is the one that looks at the mechanism. Where…

organisationssystems-failureaccountability
Solaris
film · 1972

Solaris

Andrei Tarkovsky

The ocean on Solaris responds. That is the established scientific fact at the beginning of the film, and it is also the end of what anyone can say with confidence. An entire discipline — Solaristics — has been built arou…

communicationcomplexitymodels
The Manchurian Candidate
film · 1962

The Manchurian Candidate

John Frankenheimer

The most disturbing scene in The Manchurian Candidate is not the brainwashing sequence in Manchuria, where American soldiers sit in a hotel garden listening to a lecture on hydrangeas while in reality being demonstrated…

controlorganisationsdecisions
Rope
film · 1948

Rope

Alfred Hitchcock

Brandon kills David Kentley not because he hates him or profits from his death but because he has a theory. The theory holds that certain superior individuals exist beyond conventional morality, and that the act of murde…

modelsdecisionscraft